Ever since the release of “Blood on the Tracks” in 1975, Dylan posed the challenge to every songwriter that came after him: Can life’s emotional complexities be rendered simply? Can a song be so intensely personal that it somehow manages to reach beyond itself towards something universal? With this record, Dylan turned the American Songwriter into a definite vocation, a job that’s core responsibility was the nearly impossible task of simply and honestly singing your own story, and somehow mysteriously manage to speak for all of us.
While Caroline Spence may not look like one of the road-hardened troubadours of America’s past, with the release of Spades & Roses, the young songwriter from Charlottesville Virginia proves she is every bit as serious. Having won numerous songwriting awards from industry mainstays like the Kerrville Folk Festival and American Songwriter Magazine, and garnered nods and admiration from both Miranda Lambert and her fellow writers in the Nashville underground, Caroline has delivered a record to meet the expectation: Quite simply, 11 songs of gorgeous Americana that remind us of why we fell in love with the genre in the first place.
So who is “Spades and Roses” for? Songwriters who need a sympathetic shoulder? Song lovers who are tired of the latest gimmick? Modern ladies who still enjoy knitting? Older men who have seen enough to not find that intimidating? In the end, it’s for all of us that demand a lot of life and love, and yet still have the grace and hope to go on loving the world in spite of what it is sometimes. It’s for all of us that still like to hear our story told in song. In Caroline’s own words, which seem to summarize the record, “It’s all love, and it’s all pain. And after all, I can’t complain.”